Submissions from 2024
Popular Music and Sociocultural Empathy in the Elementary Classroom, Kelsey M. Packman
Important Relationships and Realistic Dialogue in Fiction, Timothy Paddock
Beings-in-Becoming: A Formative Critique of Schellenberg's Problem of Divine Hiddenness, Isaiah Parker
Son of a Preacher Man: There is Something Beautiful Waiting to be Born within You, Georgia Peddie
Rhapsody, Hannah Pennington
Who Reads Young Adult Fiction Anyway? (Teenagers or Adults), Terri Ann Perret
An Examination of the Geographical and Archaeological Evidence Which Supports the Historical Reliability of the Gospel of John, Alan R. Peterson
Arranging and Communication Techniques for the Studio Music Producer: A Curriculum, Elizabeth A. Rajcok
Addressing Chaplain Care and Resiliency as Protective Factors to Burnout in Community Chaplaincy, Robin Jonell Ratcliff
Orichas Roots of Latin American Music: Syncretism, Music, and Its Possibilities for Missionaries, Erika Dianne Ray
Discovering the Value of Decision-making Through Meaningful Experiences During High School Marching Band, William V. Reese
You Are Here: Experiencing Place through Poetry, Janet Reeves
English Literacy Rates Across the United States, Hailey Reisinger
Funding Allocations Concerning Composition Creation Standards, Garrett L.H. Robertson
AI in Graphic Design: Here to Help or Replace Us?, Christian Jovan Rodriguez
My Journey with Faith, Jocelyn Rodriguez
Lessons from Jesus’s Table Talk a Survey of Selected Texts in Luke’s Gospel, Claudine D. Rogers-Wright
Lizzie: A Work of Historical Fiction, Sandra Rouse
God's Endangered Animals: Awakening Conservation for Future Generations, Stefan R. Sanford
The Patriarchal Framework of Extreme Religious Cult Communities and the Post-Exit Affect on Families, Pamala M. Schievelbein
Design History Revised: Inspiring a New Generation of Designers by Celebrating Women in Graphic Design History through a Collection of Zines, Sierra Skye Schneider
Truth and Fiction, Rachel Michele Schroeder
George Butterworth’s Musical Contribution to A.E. Housman’s A Shropshire Lad and Bredon Hill and Other Songs, Brenden M. Smith
Subtext in a Screenplay: More than Meets the Ear, Emma J. Smith
The Shared Values Society: On the Inability to Validate Beliefs and its Effect on Pluralistic Governance, Tanner L. Smith
