Submissions from 2011
"One Man in His Time Plays Many Parts": The Causes and Effects of Cognitive Dissonance Upon the Actor, Rachel Joy Blomquist
Sir George Paish: Ambassador of Free Trade, Jennifer D. Bolan
Polar Opposites: A Look at the Role of Biblical Values in Managing Dialectical Tensions in Marriage, Kimberly Dawn Borland
Singing from the Village, Bonnie Lynn Bost
"I Hear America Singing": An Approach to Poetry's Coalescent Intricacies of Sound, Structure, and Content, Meagan Ashleigh Brooks
A Myth Retold: How Till We Have Faces Confirms that a Myth is not a Fairytale, Rachel Elizabeth Burkholder
"Make America Over": Rexford Tugwell and his thoughts on Central Planning, Steven Chichester
Nomadic Amdo Tibetan Glu Folk Songs, Wendolyn Craun
Perception and Action: Sympathy, Charity and Ideal Communities in Eliot's Middlemarch and Dostoevsky's The Brothers Karamazov, Katherine Ruth Curtis
Defending Tertullian's Orthodoxy: A Study on Third Century Christianity, Kevin Gift
An Inquiry into Contextualized Christian Expression in North India, M. J. Gracin
Language and Identity in Postcolonial African Literature: A Case Study of Chinua Achebe's Things Fall Apart, Abigail Guthrie
The Relationship of the Battles in Zechariah 12 through 14, Joshua Andrew Haley
The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature, Kelly L. Hamren
Redeeming Proper Taste: Food as an Emblem of Luxury in Eighteenth Century England, Hannah R. Hinkson
It Is Well With My Soil: Ecocriticism of Wendell Berry's Jayber Crow and Hannah Coulter & Marilynne Robinson's Gilead and Housekeeping, Lauren Hoessly
Individualism and Collectivism in Chinese and American Advertisements, Siu Yu Hsu
“But Enough About Me…”: An Investigation of Young Adults’ Self-Disclosure in Summer Camp Environments, Courtney Hunt
You've Got a Friend in Me: An Analysis of Coworker Friendship Relationships, Ebonee Johnikin
Controlling the Sandman: The Function of the Grotesque in the Ninth Art, Jill A. Johnson
Dancing Through Life: Symmetry and Balance within Dance and the Form of Jane Austen's Novels, Elizabeth Ellen Jones
