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Submissions from 2018

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Music Therapy Techniques for Memory Stabilization in Diverse Dementias, Amanda Shotts

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“One Thing That Matters”: An Exploration of Commercial Music Techniques for the Benefit of the Local Church, Garrett Thomas

Submissions from 2017

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Expressions of Madness in Coloratura Mad Scenes of Bel Canto Operas, Rachel G. Christenson

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Exploring the Desired Qualities of Performers, Tatiana E. Harman

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The Makings of an EP: From Silence to Portable Sounds, Emily Ream

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The Suzuki Method: Influences of Shinichi Suzuki on Japanese Music Education, Moriah L. Richards

Submissions from 2016

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Preparation for Collegiate Music Theory and Aural Skills Through Repertoire, Caroline E. Dunmire

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Psalms on the Shannon: A Collection of Choral Pieces in the Irish Celtic Style, Greta E. Hanks

Submissions from 2015

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The Budding Musician: A Method for Developing Cognitive and Physical Proficiency at the Piano, Lauren M. Hartburg

Submissions from 2014

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"Retrograde Soul": A Song Cycle, Victoria E. Bouton

Submissions from 2013

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An Investigation of Ancient Hebrew Music During the Time of the Old Testament: Especially the Role of Music in the Lives of Israel's First Two Kings, Saul and David, Holly J. Delcamp

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Romantic Exoticism: The Music of Elsewhere in the Nineteenth Century, Josiah Raiche

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Vocal Technique and Repertoire Choice for Middle School Students, Taylor L. Simpson

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The History and Process of the Development of the Modern Flute, Sarah E. Vitullo

Submissions from 2011

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Preparing a High School Choral Program, Jonathan E. Granger

Submissions from 2009

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Conductor's Guide to Mark Camphouse's "To Build A Fire", Amanda L. Kastner

Submissions from 2008

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Ibsen’s Female Characters in Captivity: An Exploration of Literature and Performance, Christina K. Forshey

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The Development of the Keyboard Through the Grand Piano and Its Effect on Piano Literature, Amy M. Sica