Date

8-29-2024

Department

School of Music

Degree

Doctor of Philosophy

Chair

R. Scott Connell

Keywords

Prerecorded music, stems, multitracks, performance-driven worship, Celebrity Model, authentic worship, contemporary worship, worship leader, corporate worship, participation

Disciplines

Liturgy and Worship | Music

Abstract

Every week, congregations in Augusta, Georgia, gather for corporate worship. A common practice among these congregations is incorporating pre-recorded music technology in their services. Technological advancements have significantly transformed the worship landscape. In this performance-oriented culture, the focus at times shifts from congregationally focused praise to a worship stage production, overshadowing the importance of biblical and authentic worship. This phenomenological case study investigates the lived experiences of worshipers in Augusta, Georgia, focusing on the perceptions of authenticity of worship when pre-recorded music is used. The study involved 15 participants from the Central Savannah River Area, examining their perspectives on authentic worship and the use of pre-recorded music. Through in-depth semi-structured interviews and thematic analysis, the research reveals how pre-recorded music impacts the dynamics of worship, particularly in creating or mitigating a performance-driven atmosphere and emphasizing the profound importance of a heart dedicated to worship. Utilizing Nathan Myrick’s Celebrity Model as a supplementary framework, the findings offer valuable insights into the complex relationship between technology, the biblical call to worship, and the cultural inclination towards performance. The study provides a nuanced understanding of how technology can enhance and challenge the perceived authenticity of the worship experience based on participants’ perspectives on authentic worship, and the critical role worship leaders play in these decisions.

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