Submissions from 2022
Beneath the Surface: A Memory Play on Asperger's Syndrome, Conner Case
Submissions from 2021
A Virtuous Woman, Who Can Find?, Ashley Banker
Submissions from 2020
True Theatricality: What Separates Live Theatre from All Other Entertainment, Sarah Michelle Beattie
The Importance of True Friendship as Exemplified Within Shakespearean Plays, Gretchen Eckert
The Gilded Finch: An Exploration of Class Conflict, Mattea Harrison
Fit for the Stage: The Function of a Pre-Performance Warm-up Routine for College Theatre Students, Emily Sullins
Submissions from 2017
Exploring the Desired Qualities of Performers, Tatiana E. Harman
An Original Play Next Door: Domestic Abuse Addressed in the Theatre, Esther E. Karram
A Dramaturgical Exploration: Setting Oliver Goldsmith’s She Stoops to Conquer in Post-Civil War Virginia, Amanda Ward
Submissions from 2015
Through a Glass Darkly: Defining Love in a Nation of Tolerance, Jonathan T. Hogue
FINGERPAINT: A Drama in Two Acts, Audrey A. Moore
Submissions from 2014
The Art of Costuming: Interpreting the Character Through the Costume Designer's Eyes, Brianne G. Crist
"Mythos": A Play in Two Acts About the Ability to Choose, Jacob F. Filegar
Submissions from 2013
His Right Eye: A Modern Radio Drama Adaptation of Edgar Allan Poe’s “The Tell-Tale Heart”, Carson Burkett
Shimmers of Truth in the Art of Theatre, Natasha M. Goetz
Submissions from 2011
Room 314: A Comedy in Two Acts, Hannah Blough
