Submissions from 2023
Research in Onondaga Music: Challenges and Opportunities, Kristi Eve Adams
The Impact of Southern Baptist Worship Ministries on Denominational Effectiveness, Laura S. Brod
Worship in Modern-Day Society: Evaluating Music of Corporate Worship, Lindley Christine Cameron
Change through Learning: Observing the Need and Benefits of a Multicultural Music Education through Applying Coursework about the Korean and Korean American Musical Diaspora, Austin Eamnarangkool
Music Educators as Worship Leaders: The Impact in Music Ministries Led by Music Educators, Patrick Robert Eckelkamp
A Contemporary Analysis of Bradley Knight’s Musical Compositions, Ryan James Flug
The Music of Democratic Kampuchea: Revolution Songs as Public Pedagogy, Anissa Jade Lesh
Music Literacy and Worship Theology for Volunteer Choir and Worship Teams, Timothy Ray Marsden
Metal/Emo Music and Their Effect on Millennials in the United States, Kevin McPherson
Song Text and Song Structure: with an Emphasis on Oral/Aural Tradition, Hannah Joy Petrick
Mirroring Jesus’s Prayerful Approach to Interactions with Dissatisfied Followers through the Lens of the Modern Worship Pastor, Bryant Timothy William West
Submissions from 2022
German and Mexican Music in Central Texas: Historical Connections and Present Possibilities, Amy Aline Beckman
Characteristics That Make an Excellent Worship Leader According to the Perspectives of Baptist Congregants in North Texas, Carlos Jerome Benson
Utilizing Campbell's Listening Models in the Elementary Music Room, Rachel Haass Boyer
Then Sings the Church a New Song, Ian D. Bula
Collective Expressions of Monacan Indian Nation Identity: A Communicative Arts Genre Study, Gretchen E. Casler-Cline
The Japanese Church and Cultural Engagement, Sarah Jane Garon
New Models for Worship: Music Education Philosophy in the Multiculturally Fragmented Sanctuary, Sandra Diana Constanze Hendricks
Music of the Brown Church: Connecting Religion, Social Justice, Latina/o Studies and Worship Practices, Ann Richelle Jeandrevin
“Americanized” Worship in Brazilian Churches, Leon C. Neto
Holy Manna: How Old Harp Singing in East Tennessee is Surviving in a New Wilderness, Amanda Leigh Rogers
Submissions from 2021
Non-Traditional Means of Worship, Courtney Ann Blanchard
A Method For the Evaluation of Song Texts in Evangelical Churches: A Crucial First Step in Developing Indigenous Songs, Kristi Jeanne Colas
Going Deeper with God than King David: Cultivating Intimacy Using Hymns, Classical Sacred Songs, and Contemporary Christian Music, Ivy Elizabeth Cole
ACCESS RESTORED: The Role of Music and Worship in Christian Reconciliation, Daniel Raymond Gray
Worship Through Creation, Caleb Gudgeon
Manger Throne: Worshiping Emmanuel at Christmas, Jonathan Mitchell Henderson
Christian Worship in Nagaland, Jane Elizabeth Laremore
Pathing the Ṭubū': Modal Theory in the Modern Tunisian Conservatory, Drew Garret Minaker
Bi-Musicality in Kenyan Education: An Irrevocable Impact of Colonization on a Culture?, Tania Mae Molendyk
A Christmas Cantata, Garth Andrew Olson
And the Lord Added to Their Number Daily: A Historical Overview of the Growth of the American Evangelical Church, Erica Morgan Wrench
Submissions from 2020
Principles for Creating Original Content for the Worship Service, Ian Schumacher Black
Diversity in Worship: The Integration of Historic Works into the Contemporary Worship Service, as Illustrated by the Oboe, Bethany Eileen Butler
Discipling Instrumentalists for Worship and Evangelism, Nicole Fasco
Follow Me: Following Jesus with Your Head, Heart, Hands, and Feet, Vincent Dodge Frampton
Biblical Principles of Music and Worship, Tim Alan Hall
Principles for Starting a Song-Writing Ministry, Carson Ka Siu Li
Folk Music in New England: A Living Tradition, Monica Diane Littlefield
United Hispanic Congregations In Worship of Christ, Ronald Alexis Carias Lopez
Investigating the Steps in Preparing an Original Song for Distribution, Kaitlyn Ann Majors
Contextualized Songwriting in the Japanese Church, Katie Ann McWilliams
Methods and Motivations of Multigenerational Churches In Selecting a Worship Music Identity, Joshua Charles Morton
A Curriculum for Teaching Collaborative Worship Songwriting Inspired by Village Hymns, Craig Alan Osterhus
The Power of Gratitude (A Worship Service), Joe G. Wehunt
Christmas In The Lutheran Tradition: A Worship Service of Music and the Word, Brian E. White
Submissions from 2019
Fan the Flames: Encouraging Local Expressions of Christian Worship in a La Paz Church Community, Stephanie Cook
Submissions from 2018
A Content Analysis of Beginning Guitar, Electric Bass, and String Bass Method Books, Michele Berlin
The Role of Music in Worship among Deaf Culture Christianity, Mallory Ruth Dunn
Music and Conflict Resolution: Israeli-Palestinian Conflict, Teresa L. EnYart
muZic Appreciation: Bridging the Gap between Generation Z & Classical Music, Timothy Green
From Maroons to Mardi Gras: The Role of African Cultural Retention in the Development of the Black Indian Culture of New Orleans, Robin Ligon Williams
Finding Identity through Irish Music in the Appalachian Mountains, Marina Delores Rayl
Mbalax: Traces of Tradition in Senegalese Hip-Hop, Mikayla Simeral
Submissions from 2017
A Relational Analysis of Pedagogical Methods for Accordion, Electronic Keyboard, Organ, and Piano, Brian Berlin
Theatre in Worship: A Curriculum for Teaching Theatre in the Local Church Music Ministry, Brandon Cox
Bimusicality: Pedagogical Insights for Music Educators from "Second-Music" Learning Experiences, Kerry DiGiacomo
Worship Renewal Through Discipleship: How Discipleship and Mission Affects Our Worship, Kevin Haglund
Enhancing the Spiritual Well-Being of Alzheimer's Patients Utilizing Music, Sheri Heeb
U.S. Metropolitan Bridges to Puerto Rican Music Identity; Cuban and Puerto Rican Music Connections from the 1920's-1970's, William George Johnson
Salar Music and Identity: A "Sad" Sound, Elizabeth Keating
No Stone Unturned: Defining the Role of a Worship Assistant, Brittany McGilberry
Teaching Marching Band in Urban Schools, Freamon McNair III
The Application of Eastern Band of Cherokee Powwow Music in Music Education, Glenda Motley
Music Theory for Student Composers: A Course Designed for Engagement by Using Both a Flipped Classroom and Praxial Philosophy, Michelle Nagy
"Only the Name is New:" Identity, Modernity, and Continuity in Afghan Star, Timothy Olson
Introduction to Piano Pedagogy: A Bible-Based Course for Piano Teacher Training in Christian Colleges and Universities, Alissa Passburg
The Development and Continued Evolution of the American Style of Oboe Playing, Rebecka Rose
From the Concert Hall to the Cinema: The Journey of the Classical American Sound, Rebecca Stegall
Silver Breathed Upon the Stage: the American Revolution as Drama and Mythology, Nathan Stone
The Story and the Song: Examining Worship in the Tabernacle in Relation to the Gospel and Postmodern Evangelism, Debra Wilcox
Overcoming Hidden Shame to More Effectively Connect with God and His People, Colleen Lou Worrell
Submissions from 2016
The GĨKŨYŨ MŨTŨRĨRŨ: Preserving A Piece of Kenya's Agrarian Past through Flute Music, Jennifer LaRue
Music-Play and Communication in Children with Autism and Their Families: An Ethnographic Study, Melanie Makovsky
Missa Yielu: Music in the Dagara Mass, Karin Rau
Submissions from 2015
'Sing unto the Lord a New Song--Just Not That One!' A Case Study of Music Censorship in Free Will Baptist Colleges, Jon Edward Bullock
Spiritual Transformation and Its Implications for Christian Worship, Thomas Wayne Doss
Submissions from 2014
Chopin Mazurkas and Its Influence on Polish Nationalism, Pablo Cintron
Chopin Mazurkas and Its Influence on Polish Nationalsim, Pablo Cintron
Arts Outreach in the Middle East, Matthias Clark
Exploring Naxi Baisha Xiyue, Nicholas Kircher
Saving Jazz: Applied Ethnomusicology and America's Classical Music, Christopher Long
Southern Black Gospel Music: Qualitative Look at Quartet Sound during the Gospel `Boom' Period of 1940-1960, Beatrice Pate
Never Give a Sword to a Man Who Can't Dance, Colin Slade
Al'Riq: The Arab Tambourine, Nathaniel Stottlemyer
Folkloric Musicians among the Bugakhwe, Robert Veith
“Why Do You Sing to Me?”: A Case Study of Form and Function of Children's Songs in the Caribbean Diaspora Culture in South Florida, Finley Walker
Submissions from 2013
Preserving Dance Forms in India Through Education and Performance: A Curriculum for Bollywood Dance, Kimberly Martin
Teaching World Music in an Elementary Setting: Effective Teaching Strategies and Classroom Materials, Calyna Mc Allister
A Study of How Selected Public School Junior-High Students Perceive the Effect of Popular Music on Classroom Behavior, Christopher Mc Allister
Submissions from 2012
Just Sing What You Want to Say: The Importance of Linguistic Tone in Bai Songs, Lisa Andrews
When Black Meets White in the Heart of Worship: A Case-Study of Musical Changes in a Multiracial Church, Serge Volpe
Submissions from 2011
Singing from the Village, Bonnie Lynn Bost
Nomadic Amdo Tibetan Glu Folk Songs, Wendolyn Craun
An Inquiry into Contextualized Christian Expression in North India, M. J. Gracin
Analysis of the Dutar Playing Technique of Abdurehim Heyt, Michael Alan Kee
