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Submissions from 2022

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Beneath the Surface: A Memory Play on Asperger's Syndrome, Conner Case

Submissions from 2021

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A Virtuous Woman, Who Can Find?, Ashley Banker

Submissions from 2020

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True Theatricality: What Separates Live Theatre from All Other Entertainment, Sarah Michelle Beattie

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The Importance of True Friendship as Exemplified Within Shakespearean Plays, Gretchen Eckert

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The Gilded Finch: An Exploration of Class Conflict, Mattea Harrison

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Fit for the Stage: The Function of a Pre-Performance Warm-up Routine for College Theatre Students, Emily Sullins

Submissions from 2017

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Exploring the Desired Qualities of Performers, Tatiana E. Harman

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An Original Play Next Door: Domestic Abuse Addressed in the Theatre, Esther E. Karram

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A Dramaturgical Exploration: Setting Oliver Goldsmith’s She Stoops to Conquer in Post-Civil War Virginia, Amanda Ward

Submissions from 2015

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Through a Glass Darkly: Defining Love in a Nation of Tolerance, Jonathan T. Hogue

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FINGERPAINT: A Drama in Two Acts, Audrey A. Moore

Submissions from 2014

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The Art of Costuming: Interpreting the Character Through the Costume Designer's Eyes, Brianne G. Crist

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"Mythos": A Play in Two Acts About the Ability to Choose, Jacob F. Filegar

Submissions from 2013

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His Right Eye: A Modern Radio Drama Adaptation of Edgar Allan Poe’s “The Tell-Tale Heart”, Carson Burkett

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Shimmers of Truth in the Art of Theatre, Natasha M. Goetz

Submissions from 2011

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Room 314: A Comedy in Two Acts, Hannah Blough